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EFFECT OF MODERN NIGERIA FILM ON NIGERIANS

CHAPTER ONE

INTRODUCTION

BACKGROUND OF THE STUDY

Film is an instrument of communication that informs and educates through entertainment. It is also a motion picture, which as a reflection of the society reproducers the action of human being in thin – coated roll or sheet of flexible materials used for photography. Researchers for a long time now, have focussed their minds on television viewing and parents – children perception of violence. The attitude exhibited by parents and children after watching violence programmes on television some researched on the effectiveness of Nigeria television drama, other researched the effects of Nigeria audience on television programmes and effects of the exposure to electronic media on English language pattern of Nigerian children as well effect of mass media programmes on rural development.  Nigeria films that sprang up in early do’s as an electronic media that covers effects of television programmes, language formation, violence, rural development via electronic media programmes.

This project topic is chosen to streamline the effects of Nigeria film on Nigeria citizens using Enugu Urban dwellers as sample. Cinema by now should mean both motion pictures for theatres and film for television is simultaneously an art and industry because it means of creation and its system of distribution involve expensive technology. This has been true since the early days of public viewing parlor when percent illuminated a 50 foot –long scene. Modern distribution of colour television into living rooms for a 50 second commercial only infacts the problem in terms of the cost involved and the relative quality of the production.

What effect film as artistic, social and economic phenomenon has on the cultural values of both creators and viewers is an international problem of the first magnitude, since cinema or felm is a world wide language that can be grasped by the iluterate as well as by the educated. Nothingless than the control of man’s minds and emotion is at stake. Aesthetics, in others case, has become linked both with economic and with political action responsive to the uses of visual communication is cinema or films. According to international encydopedia of social science is the major cultural force in the second half twenty century.

The relation between chose who create the picture and those pays the cost is conflict between the front office and second stage as complex as shakespeares efforts to gain the good graces of his patrons. What film is the degree of interdependence between artistry and finances.

The question cannot be dismissed as a matter of preference. What  is art to one may indeed be an industry to another and vice versa. The inseparability of the equation makes it difficult to evaluate. Infact, the Under of film art and picture industry seem as  though a marriage contracted in hell, lived on earth and rewarded in heaven.

1.2       STATEMENT OF THE RESEARCH PROBLEM

Films influence have relation with problems associated with film production which starts with a motion picture. An impoverished painter may start his work once he has brushes, he can even steal hair out from a cut to make a bush, but a film director will find that cameras, lenses, lights, developing tanks editing apparatus are relatively inexpensive compare with actor salaries, set construction, or shooting on location.

Film is the only art form solely dependent on machinery. The electronic extension of motion pictures and television is more expensive and involves more machinery. Never before in man’s artistic history has an artist been so sub – ordinate to the means which shape his ends, and conversely, never before has the patrone or sponsor or producers been dependent on talent for the utilization of his machinery for production, distribution and exhibition. Thus influence the viewers or audience.

A write – director in cinema or film is like an orchestral conductor, his scrip, or score cannot be experienced without the collaboration of mynad different craftsmen employing different instruments. They should ideally be hired for their specific competence in dealing with a special challenge. This is a problem of correct casting of craftsman, under strict Union regulations of specialty or seniority the write – director is obliged to accept the run of mill workers who is not generate include to support artistic adventures. Also, the numbers of employees allotted to an assignment are prescribed by union rules. There are qualitative considerations discle from the quantity of workers assistance and collaborators.

Since the basic concepts a motion picture must be filtered through many individuals before the picture reaches its final version and since these concepts are primary visual, the relation of the number of individuals involved to the degree of aesthetic coherence in the picture’s imagery is obviously crucial. This influences the film make up and production output and again effects the audiences the audiences who are beneficiaries of the output conematic laws are postulated and films are censored even in Nigeria that started film production recently infact, the greater the number of collaborators in the creation of a motion picture or 

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